Tuesday, August 25, 2009

GI Joe The Rise of Cobra

GI Joe The Rise of Cobra
Director Stephen Sommers (The Mummy, Van Helsing) adapts the beloved Hasbro G.I. Joe toy line with this Paramount Pictures production that pits the Global Integrated Joint Operating Entity against the evil forces of the organization known as Cobra. Dennis Quaid and Channing Tatum star as General Hawk and Duke Hauser, respectively, with Joseph Gordon-Levitt and Marlon Wayans leading the rest of the cast, including Sienna Miller, Ray Park, Rachel Nichols, Christopher Eccleston, Adewale Akinnuoye-Agbaje, Saïd Taghmaoui, and Asian film star Lee Byung-hun.
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CyberDeViLZ

Romeo And Juliet (1968)

Romeo And Juliet (1968)
Romeo and Juliet is a 1968 cinematic adaptation of the William Shakespeare play Romeo and Juliet.

The film was directed by Franco Zeffirelli, and stars Leonard Whiting and Olivia Hussey. It won Academy Awards for Best Cinematography and Best Costume Design; it was also nominated for Best Director and Best Picture. Sir Laurence Olivier spoke the film's prologue and epilogue and reportedly dubbed the voice of the Italian actor playing Lord Montague, but was never credited in the film.

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Prom Night

Prom Night
In 1997, Academy Award winning actor, Morgan Freeman, who lives in the Charleston, Mississippi community, offered to fund the first-ever integrated Senior Prom in the history of Charleston's one high school. His offer was ignored. In 2008, Morgan offered again... the East Tallahatchie County School Board accepted. In this town of 2,300 people, its high school of 415 black and white students has, to this day, always had separate proms: one black, one white prom. Our film follows the Charleston High senior class of 2008 preparing and attending their historic, first integrated prom, in the context of strong emotions, traditions, and conflict inherent in race relations in the community, and in the deep south. Some of the white parents maintained their whites-only prom.

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Tribute (2009)

Tribute (2009)
In the Nora Roberts movie "Tribute," Cilla McGowan (Brittany Murphy) is a former child star who has found more satisfying work restoring old houses. In search of a normal life, Cilla buys her grandmothers farmhouse in Virginias Shenandoah Valley to rescue it from ruin. Her hope for serenity is soon eclipsed by haunting dreams of her famous grandmother, who died of a supposed overdose in the house more than 30 years ago. Cilla soon forges a romantic relationship with Ford Sawyer (Jason Lewis), her handsome new neighbor, who ultimately comforts and protects her when her dark dreams and family secrets spiral into a real-life nightmare.

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The Crypt

The Crypt
Six young criminals break into hidden catacombs underneath their town and attempt to steal jewelry buried from the "Great Depression" only to find inhabitants guarding the precious belongings. After being trapped in this dark maze of crypts the group tries to escape alive.

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Nostradamus 2012

Nostradamus 2012
The most famous doomsday prophet is Nostradamus. He is best known for his book Les Propheties. He wrote his prophecies in a poetic style, in “quatrains.” Many of his prophecies dealt with disaster such as plagues, earthquakes, wars, floods and the coming of three antichrists. However his predictions are vague and people tend to apply his words to many situations. Some examples of his predictions are:
The year 1999, seventh month,
From the sky will come a great King of Terror:
To bring back to life the great King of the Mongols,
Before and after Mars to reign by good luck.

The present time together with the past
Will be judged by the great Joker:
The world too late will be tired of him,
And through the clergy oath-taker disloyal.

The year of the great seventh number accomplished,
It will appear at the time of the games of slaughter:
Not far from the great millennial age,
When the buried will go out from their tombs.

Long awaited he will never return
In Europe, he will appear in Asia:
One of the league issued from the great Hermes,
And he will grow over all the Kings of the East.

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Knowing

Knowing
In the year 1959, a frightened and disturbed little girl named Lucinda was in school when her class was drawing up pictures for the school's time capsule, but Lucinda drew up a weird system of numbers and even was scratching at the school janitor's door. Now, 50 years later, John Koestler an astronomer and a professor at MIT is at his son, Caleb's school to open up the time capsule and was given Lucinda's system of numbers. When John was looking at the numbers, he quickly realized that it was some type of code that predicted the month, date and year of a specific disaster, and how many people died in that particular disaster. After witnessing a plane crash at Logan International Airport, and saving people from a freak New York Subway accident, John realizes that the last disaster on the code is the end of the world when one of the Sun's solar flares will scorch the Earth. Meanwhile, Caleb witnesses strange people who stalk him, and a little girl named Abby and her mother named Diana. Now, John and his son Caleb along with Abby and Diana must save as many people as they can from the Sun's solar flares while trying to find out about the strange people.

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District 9

District 9
Aliens become refugees in South Africa where they are kept isolated from any human contact. While being contained in the refuge being ignored of their welfare, their weapons become the sole interest of Multi-National United (MNU). But only one man , Wikus van der Merwe (Sharlto Copley), can activate these weapons. He becomes hunted for and only one place can give him refuge, District 9.

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West Of Brooklyn

West Of Brooklyn
A Brooklyn street-kid with a passion for Beat poetry decides to relocate to Los Angeles following the death of his mother. Sebi (Ronnie Marmo) is an unusually perceptive Italian-American who keeps his love of Beat poetry a safely guarded secret. His friends have all packed up and moved to Los Angeles, and when his mother dies, Sebi decides to join them. Out in L.A., Sebi and his friends are truly fish out of water. Sebi longs to find a place to call home, and as he crosses paths with a variety of intriguing personalities including Beverly Hills rich girl Maddy (Natalia Livingston) and famed Bronx poet Gaetano D'Amico (Joe Mantegna), he finally discovers the courage to become the man he always wanted to be. [D-Man2010]

Thousands of miles separate Brooklyn, New York, and Hollywood, California, and they seem even farther apart in this dramedy. After the death of his mother, Sebi has ... Full Descriptionleft his native New York for the West Coast, but the Beat-poetry-loving Italian-American doesnt feel comfortable in either place. However, when his hero, fellow New Yorker and poet Gaetano DAmico (Joe Mantegna) appears, Sebi may finally be comfortable with himself. [D-Man2010]

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Watchmen

Watchmen
Watchmen is a 2009 superhero film directed by Zack Snyder and starring Malin Akerman, Billy Crudup, Matthew Goode, Jackie Earle Haley, Jeffrey Dean Morgan and Patrick Wilson. It is an adaptation of the comic book of the same name by Alan Moore and Dave Gibbons. Set in an alternate-history 1985, tensions heighten between the United States and the Soviet Union as a group of former vigilantes investigates an apparent conspiracy against them and uncovers something even more grandiose and sinister.

Following publication of the Watchmen comic, a live-action film adaptation was mired in development hell. Producer Lawrence Gordon began developing the project at 20th Century Fox and Warner Bros. (parent company of Watchmen publisher DC Comics) with producer Joel Silver and director Terry Gilliam, the latter eventually deeming the complex novel "unfilmable". During the 2000s, Gordon and Lloyd Levin collaborated with Universal Studios and Paramount Pictures to produce a script by David Hayter; Darren Aronofsky and Paul Greengrass were also attached to the project before it was canceled over budget disputes. The project returned to Warner Bros., where Snyder was hired to direct – Paramount remained as international distributor. Fox sued Warner Bros. for copyright violation arising from Gordon's failure to pay a buy-out in 1991, which enabled him to develop the film at the other studios. Fox and Warner Bros. settled this before the film's release with Fox receiving a portion of the gross. Principal photography began in Vancouver, September, 2007. As with his previous film 300, Snyder closely modeled his storyboards on the comic, but chose to not shoot all of Watchmen using chroma key and opted for more sets.

The film was released in both conventional and IMAX theaters on March 6, 2009, grossing $55 million on the opening weekend, and grossed over $180 million at the worldwide box office. It divided film critics; some gave it overwhelmingly positive reviews for the dark and unique take on the superhero genre, while others derided it for the same reason, as well as the R-rating, the running time, and the much-publicized accuracy to the graphic novel. A DVD based on elements of the Watchmen universe was released, including an animated adaptation of the comic Tales of the Black Freighter within the story, starring Gerard Butler, and the documentary Under the Hood, detailing the older generation of superheroes from the film's back-story. A director's cut with 24 minutes of additional footage was released in July, 2009.

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The Collector

The Collector
The film begins with a house at night. The owners, Larry and Gena Wharton (Diane Goldner), come home from a night of drinking. While Gena goes upstairs, Larry stays downstairs to read some mail. However, he finds that the lights dont work. Gena calls out for him, and so he rushes upstairs. In their bedroom they find a big red box. Larry assumes one of the workers mustve left it. On top of the box is the message for the collection. The box suddenly moves. Larry opens the box and is shocked to find whats inside. A hand suddenly reaches out and grabs Larry.

After the opening credits, we see another two-story house having some construction. Among the workers are an exterminator and a man named Arkin (Josh Stewart). The family living in the house is Michael (Michael Reilly Burke), his wife Victoria (Andrea Roth), their teenage daughter Jill (Madeleine Zima), and their little girl Hannah (Karley Scott Collins). Michael asks for Arkin to finish putting bars on the windows today.

While outside, Arkin smokes a cigarette while putting up the remaining bars. After he finishes, Michael pays Arkin for his work and throws in a little extra for Arkins daughter Cindy. Michael tells him to cherish his daughter, since they get all weird once they hit their teens. Arkin thanks him and drives off.

Later, at home Arkin and his wife Lisa go to the kitchen, where she asks him for the money. It turns out that Lisa owes money to loan sharks, and the deadline is tonight. Shes planning on running away with Cindy since she cant pay them, but Arkin promises to get the money for her debt by midnight. Arkin calls Roy (Robert Wisdom) and wants to see him immediately. They meet at a sleazy strip club and talk inside Roys car. Arkin is an ex-convict and Roy helped him out while in prison. Arkin has been repaying Roy by picking locks and stealing things for him. Arkin tells Roy that hes been casing the house hes been working on. Michael is a jewel broker, and has a valuable jewel hidden in a safe. The family is out of town now, and he needs Roy to pay him tonight. Roy finally agrees to the change of plans and allows Arkin to leave.

Arkin drives back to the house at night, and we see that the house in the middle of nowhere. He puts on a mask and grabs his tool bag. As he sneaks towards the house, he is suddenly attacked by a newly placed dog (which takes a bite out of his mask). Arkin picks the lock to the back door of the house. He enters and everything seems fine. He goes upstairs to the master bathroom and lifts the mirror up, knowing that it covers the safe. He takes off his mask and starts to crack the safe when he hears someone downstairs. The Collector (Juan Fernandez), a killer who wears a black mask, locks the back door and starts to come upstairs. Arkin quickly puts the mirror back, grabs his bag, and hides in the other room while the Collector is on the other side of the wall. The Collector goes into the bathroom, and Arkin sneaks downstairs. He tries to leave but finds that there are several locks on the top of the back door, all of which are now locked. There are also several locks on the front door as well. Arkin decides to find another exit, but for his familys sake, he decides to stay in the house to get the jewel.

He goes back to the master bathroom and works on the safe again when he hears screaming through the vent. Michael emerges from the basement, beaten and bloody. Arkin hides his bag and goes to see whats going on. He sees that The Collector grabed Michael and took him to the basement. Arkin, having seen the whole thing, decides to call 911. He picks up the phone and doesnt see that a spike has been placed in the receiver. When he puts it to his ear, it stabs him. He decides to leave through a window, but he finds that they are all boarded up. He tries to remove the boards, but some hidden blades slam down on his hand. He tries to go to another door by the dining room, but he slices his face on hidden razor sharp wires tied across the room. He realizes that there are several traps hidden around the house. The floor of the dining room is filled with bear traps. Arkin goes to the kitchen to get scissors, but finds that its booby-trapped. The Collector is roaming around the house. Arkin tries to go up the staircase, but finds that nails have been placed on the steps. With the Collector coming closer, Arkin has two choices go upstairs or go to the basement. He chooses the basement.

Arkin uses his flashlight to see when he gets startled by something. He turns on the light and sees that Michael has been tied to a chair. Hes bloodier than before, having been tortured with deep gashes all over his body and feet. Arkin asks where the rest of his family is. Victoria is in the basement as well, Jill is out with her boyfriend, and he doesnt know if Hannah is still in the house or not. Michael tells him that he has a gun in the safe upstairs and gives him the combination. Arkin has Michael quiet down and goes into the other room, where he finds Victoria chained to a bathtub. She also has duct tape pinned over her eyes. Arkin removes a gag from her mouth and calms her down. He says that hell find Hannah and save them but she has to help him. He wants her to scream, so that when the Collector comes downstairs, he can sneak back upstairs. He tells her to stop screaming once the killer comes back down there so that he wont hurt her. Victoria screams, causing the Collector to come downstairs. Arkin sneaks upstairs and goes to the master bathroom. He opens the safe and grabs the pistol inside. He also takes the jewel, which is the size of a fist. The only problem is that there are no bullets for the gun. The Collector holds Victorias tongue with a wrench and threatens to cut her tongue off, but doesnt do anything.

Arkin looks all over for Hannah, but doesnt find her. He hears a noise coming from a closet. He opens the closet and finds a big red box inside, which is moving. He opens the box and Larry lunges out. His legs are chained to the box. Arkin asks him who he is and what hes doing there. Larry explaims that the Collector collects people. When he finds someone that he likes, hell capture them in the box and use them as bait for his next victims. Hell kill everyone else, like his wife Gena. Larry yells for Arkin to get out while he still can, but Arkin puts him back in the box. Arkin goes into Jills room and sees that the window is wide open. He doesnt see that the floor is covered in some yellow/orange substance. Arkin takes a couple of steps in it and realizes that its acid. Arkin jumps on the bed and tries to retrieve his shoes, but they are stuck in the acid, along with the cat. The cat tries to free itself but screeches in pain, causing the Collector to hear the commotion upstairs. Arkin rips the cat free and throws it away, landing on the window. The reason why the window was open is because its booby-trapped. As soon as the cat lands, the window slams shut and slices the cat into two, splattering blood all over Arkins face. The Collector goes upstairs and hears Larry in the box. He just kicks the box to get him to shut up. He then goes into Jills room and finds that the cat is dead. Arkin hides under the covers of the bed, and he has placed books over his shoes to cover his presence. The Collector leaves the room, and Arkin does as well (using the books as stepping stones).

Arkin grabs a paper clip and sneaks into the basement again. Once there, he finds that Michael has been hung upside down and killed. He goes to the other room and frees Victoria from the bathtub (using the paper clip to pick the handcuffs). Yet, the collector finds her and repeatedly stabs her in the chest, causing her to fall down the stairs into the basement. Arkin hides under a desk as the Collector drags the still alive Victoria back to the tub. Arkin uses the opportunity to escape back upstairs. The Collector sews Victorias mouth shut and records her screams. Arkin breaks a window with a lamp to try to escape, but then hears a car outside.

Jill and her boyfriend Chad (Alex Feldman) are fooling around in Chads car. The Collector also hears the car and goes upstairs. Arkin tries to warn them not to come in the house, but it starts to rain outside, causing his screams to go unnoticed. Jill and Chad go inside the house and continue to fool around, oblivious to all the traps around them. They go to the kitchen, where Chad rips Jills blouse open and takes off her bra. Arkin sneaks downstairs and crawls underneath the dinning room table. Jill eventually notices the Collector nearby and becomes scared. The Collector readies his knife and approaches the couple. He stabs Chad through the hand and pushes him through the doorway, where he a trap causes a cleaver to slice his fingers off. Chad then steps into the dining room, where his leg gets stuck in a bear trap. He falls to his knees, causing his other leg to get caught. He finally falls backwards, where he is graphically killed by a plethora of bear traps. The Collector grabs Jill and locks the back door again. She calls 911, but he pulls her away before she can say anything.

Arkin sets off an alarm clock upstairs, causing the Collector to go investigate. Arkin finds that Jill has been tied to the staircase with barb wire. He frees her, but she freaks out and grabs the scissors from the kitchen. A trap throws her across the room and she is impaled by hidden spikes behind a projector screen. Arkin goes upstairs, removes the boards from a window, and punches the glass out. He jumps down to the ground and starts to run away when he looks back and sees Hannah screaming out for him in a window. He then sees the Collector making his way towards Hannah, having heard her screams. Arkin runs back to the house, but the Collector reaches Hannah first. He corners her on the staircase but Arkin shows up and pistol whips him. He carries Hannah to her room and locks the door. They hear the Collector trying to break down the door. Arkin comes up with an idea. Hannah and Arkin stay off the floor. The door bursts open and Arkin breaks the fish tank, covering the floor with water. Hannah then pushes her TV onto the floor. However, the Collector has pushed Larry through the door, and so Larry is electrocuted to death. The Collector throws knives at Arkin, but he manages to escape with Hannah to another room. Arkin turns around and gets a fish hook through his eyebrow. There are several hooks dangling from the ceiling. The Collector uses Larrys body as a battering ram on the door. Arkin sends Hannah down a laundry chute, which sends her to the basement. Before Arkin can go down the chute, the Collector breaks through the door and grabs him. While they fight, Arkin rips the Collectors mask off. The Collector knocks Arkin out and puts his mask back on.

Arkin has been placed in the basement. His hands are handcuffed and there are several fish hooks impaling his back. The Collector wakes Arkin up by slicing his forehead with a knife. Arkin sees Hannah hiding under the desk and pleads with the killer to let Hannah go. The Collector notices that Arkin keeps looking towards the desk and approaches it. Arkin insults the Collector calling him a faggot. Angrily the Collector slices Arkins chest. He also knocks out one of Arkins teeth. Another car arrives at the house. Its a cop responding to Jills 911 call. The Collector leaves the basement. The cop looks into a window of the house and sees Chads mangled corpse. He goes around back and finds the Collector standing outside. While the cop tries to arrest him, the dog lunges at him and rips his throat open. The Collector then breaks the cops neck, killing him. Arkin painfully tears himself free of the hooks and gets Hannah. They find that Victoria is dead in the bathtub. Arkin sees that the Collector has filled the tub with gasoline and realizes that he plans to burn the house down. The Collector grabs the cops shotgun and enters the house with his dog.

To get out of the basement, Arkin ties himself to Hannah and crawls through the laundry chute. He pulls Hannah up just before the dog attacks her. Arkin then lights a toilet roll on fire and puts it in a trash can. When the dog goes upstairs to attack them, Arkin shoves the flaming trash can into the dogs head, killing it. Arkin fights the Collector and knocks the shotgun into the basement. They beat the crap out of each other and Arkin knocks the Collector into the basement. The Collector grabs the shotgun and blasts his way through the door. He finds Arkin holding Hannah nearby. He shoots at them, but realizes that hes been fooled. He just shot at a mirror. Arkin and Hannah are actually behind him. Arkin releases the wire for the chandelier, causing it to crush and stab the Collector. Arkin and Hannah make it outside and run off. The Collector, wounded, also leaves the house. They get to a road, where Arkin sees a swarm of cops heading their way. He has Hannah stay by the side of the road. He runs into the middle of the road to flag them down, only to get hit by a cop car.

Arkin, dazed, looks to Hannah and sees the Collector sneaking up behind her. He yells out for her as he grabs her, but he sees that the man who grabbed her is a police officer. Hannah is safely placed in a cop car. As Arkin is put in a stretcher and loaded into an ambulance, the house explodes in the distance. Arkin tells a police officer that he saw the Collectors face. The cops have found an address fitting the suspects description and leave to investigate. Suddenly, a van crashes into the ambulance, causing it to flip over until it lands upside down. The van moves closer to the ambulance. The Collector opens the ambulance and throws a knife into the paramedics eye, killing him. He then uses another knife to cut Arkin free of the stretcher. Arkin begs and pleads with the Collector to let him go.After bringing Arkin to the back of his van and throws him inside the red box, it is revealed that the collector is the exterminator who Arkin had worked with at the begining of the film.

After the end credits, we see the Collector watching a slide show while sitting on top of the red box. Inside, Arkin yells that hes going to kill him once he gets out. The Collector kicks the box to shut him up

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The Bridge To Nowhere

The Bridge To Nowhere
The Bridge to Nowhere is the story of four young 20-something men from the rough Upper North Side of Pittsburgh. They are stuck in dead-end jobs and struggle with dysfunctional family lives. The guys, inspired by the images of pop culture and the desire to break away from the neighborhood, regularly scheme to make extra money by running minor underground activities, including: sports booking, poker tournaments and house parties. One night during an evening out the four young men stumble across the "new neighbors", two independent prostitutes, Jasper and Candice, who end up inspiring a new business idea. Trapped in her own existence, Jasper, agrees to join forces with the young men to create, quite accidentally, what turns out to be an empire that launches each of them into financial riches. Along the way each character battles their own demons regarding the choices they have made In the end, however, their world comes crashing down on them in grandiose fashion. It's the city of bridges, where water separates the haves and have-nots, the bridge they sought so desperately to cross ultimately ends up being The Bridge To Nowhere.

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Mr-R-T

The Damned United

The Damned United
Taking over England's top football club Leeds United, previously successful manager Brian Clough's abrasive approach and his clear dislike of the players' dirty style of play make it certain there is going to be friction. Glimpses of his earlier career help explain both his hostility to previous manager Don Revie and how much he is missing right-hand man Peter Taylor who has loyally stayed with Brighton & Hove Albion.

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Worlds Greatest Dad

Worlds Greatest Dad
Robin Williams stars as Lance Clayton, a man who has learned to settle. He dreamed of being a rich and famous writer, but has only managed to make it as a high school poetry teacher. His only son Kyle (Daryl Sabara) is an insufferable jackass who won't give his father the time of day. He is dating Claire (Alexie Gilmore), the school's adorable art teacher, but she doesn't want to get serious -- or even acknowledge publicly that they are dating. Then, in the wake of a freak accident, Lance suffers the worst tragedy and greatest opportunity of his life. He is suddenly faced with the possibility of all the fame, fortune and popularity he ever dreamed of, if he can only live with the knowledge of how he got there.

http://www.megaupload.com/?d=DLFB0G6U
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Grace

Grace
Michael Matheson (Stephen Park) and his pregnant wife Madeline (Jordan Ladd) are involved in a car accident. Michael dies, and doctors tell Madeline that her unborn child is dead, too. Madeline, desperate after trying to have a child for years, decides to carry her baby to term anyway. The child, a girl, is initially stillborn. After a while, though, she seems to revive, and Madeline names her "Grace". It soon becomes clear something is wrong with the baby. It develops unhealthy smells, attracts flies, and craves blood.

Madeline's beliefs in concepts like veganism and midwifery alienate Vivian Matheson, her mother-in-law, who eventually goes to great lengths to take the baby away from Madeline. There are allusions to feminist concepts and women's studies throughout the movie and several scenes focus around breast feeding and female biology. Scenes portraying female lactation vary in tone greatly. Some scenes portray a tender mother-daughter relationship while others involve erotic lactation and cannibalism.

http://depositfiles.com/en/files/u09pqtvg8
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Funny People

Funny People
Over the past few years, writer/director Judd Apatow (The 40-Year-Old Virgin, Knocked Up) has shown that nothing—not even losing your virginity or the miracle of childbirth—is sacred. About his third film behind the camera, he says, “I’m trying to make a very serious movie that is twice as funny as my other movies. Wish me luck!” Apatow directs Adam Sandler, Seth Rogen and Leslie Mann in Funny People, the story of a famous comedian who has a near-death experience. Adam Sandler, Eric Bana, Jason Schwartzman, RZA and newcomer Aubrey Plaza join a cast that reunites Judd Apatow with Seth Rogen, Leslie Mann and Jonah Hill in their third comedy together.

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http://rapidshare.com/files/267983173/Funny.People.TS.XVID-V2-STG-FATAL.part7.rar

Pontypool

Pontypool
Set in a radio station in Pontypool, Canada, where the morning team starring Grant Mazzy starts taking reports of extreme, bloody incidents of violence in riots occurring in town. As the story unfolds, the radio staff together with local doctor Mendez observe the zombie-like behaviour of the rioters and soon realise their attraction to speech. Eventually they postulate the possibility of a virus being spread through certain words in the English language. That predicament poses a problem for a yappy radio jock and his staff holed up in the broadcast booth housed in the basement of the town's abandoned church. They are restricted in their ability to warn the outside world and to communicate with each other as slaughter rages beyond its walls.

Radio staff member Laurel Ann becomes infected and tries to break in and get them. Unable to get to her prey the woman explodes. They discover that only the English language seems to be infected, so they survive for a while by speaking French. With the shot host and producer curing themselves of the disorder by swapping words with others, destroying their meaning. As they try to broadcast the cure to other people the Canadian military start to broadcast countdown from 10 to 1, ending with the film going black.

http://rapidshare.com/files/268910691/TWiST-PontypoolDvD08.part1.rar
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State of Play

State of Play
The Last King of Scotland director Kevin McDonald teams with screenwriter Matthew Michael Carnahan for this American adaptation of the hit British miniseries concerning the suspicious circumstances that set a rising congressman and a dogged reporter on a dangerous collision course. U.S. congressman Stephen Collins (Ben Affleck) is handsome, unflappable, and ascending the ladder of power with unprecedented speed. He's the future of his political party, and as the chairman of a committee assigned to oversee defense spending, he's got all the right connections. As the presidential race draws near, Washington insiders begin to speculate that Collins will earn his party's nomination for the country's top job. The prospect of Collins becoming president seems less and less likely, however, when his research assistant/mistress is viciously murdered, and some unsavory truths begin to surface. Collins was once a close friend to Cal McAffrey (Russell Crowe), now a top reporter in the nation's capitol. Assigned the task of investigating Collins by his ruthless editor, Cameron (Oscar-winner Helen Mirren), McAffrey recruits fellow reporter Della (Rachel McAdams) in order to track down the truth and identify the killer. But McAffrey has just walked into a cover-up of unprecedented proportions, and in a game where billions of dollars are at stake, life, love, and integrity are luxuries that simply cannot be afforded.

http://rapidshare.com/files/267274117/AMIABLE-SOPlayDvD.part1.rar
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Redemption

Redemption
With his work in films like Collateral and Ray, Jamie Foxx has defied expectations and delivered one phenomenal performance after another - something that's certainly true of his work in Redemption.

Foxx stars as Stan "Tookie" Williams, one of the founding members of the Los Angeles based Crips gang. Sentenced to die for the murder of four people, Williams uses his time on death row to better himself. Meanwhile, a journalist named Barbara Becnel (Lynn Whitfield) is looking write a book on the history of the Crips - and though Williams is initially hesitant to speak with her for fear of being vilified, he soon warms up and the two are meeting regularly. Becnel eventually helps Williams get a series of children's books preaching the dangers of the gang lifestyle, something that eventually garners Williams a Nobel Peace Prize nomination.

Though there's ultimately something kind of bland about Redemption, there's no denying that Foxx's captivating performance effectively prevents the film from becoming all-out movie-of-the-week fodder. This is especially surprising given Foxx's propensity for overacting, particularly in films such as Bait and Booty Call (to be fair, it's highly unlikely anybody would've expected anything else out of something like Booty Call). But there's no denying that Foxx has turned a corner, delivering one solid performance after another.

With Redemption, Foxx convincingly steps into the shoes of Williams - a surprisingly complex character looking to atone for the years of violence in his past. And though it never becomes entirely possible to sympathize with this guy - he did kill several people in cold blood, after all - Foxx's performance at least allows us to understand what compelled Becnel to keep helping Williams. And though director Vondie Curtis-Hall isn't quite able to elevate the film to Foxx's level, Redemption is probably worth checking out solely for his amazing performance.

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Bronson

Bronson
In 1974, a hot-headed 19 year old named Michael Peterson decided he wanted to make a name for himself and so, with a homemade sawn-off shotgun and a head full of dreams he attempted to rob a post office. Swiftly apprehended and originally sentenced to 7 years in jail, Peterson has subsequently been behind bars for 34 years, 30 of which have been spent in solitary confinement. During that time, Michael Petersen, the boy, faded away and 'Charles Bronson,' his superstar alter ego, took center stage. Inside the mind of Bronson - a scathing indictment of celebrity culture.

http://rapidshare.com/files/269492440/Bronson.2009.DVDRip.part1.rar
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Mithil@Warezraid.com

Across the Hall

Across the Hall
Across the Hall is an American short film, made available to view online or downloaded to a cell phone. The movie has two versions- the first is a 25 minute director's cut, usually shown at film festivals, the second is split into two parts for downloading. Since the film is hosted on Samsung's Anyfilms.net, the movie features the use of a Samsung SGH-D600 phone.

plot
A quiet night takes a dangerous turn when Julian (Adrian Grenier) receives a frantic phone call from his best friend, Terry (James Oliver). Terry claims to have followed his unfaithful fiancée, June (Natalie Smyka), to a seedy hotel on the other side of town. To make matters worse, he’s staked out the room across the hall from her, a bottle of whiskey in one hand and a revolver in the other. Julian pleads with his friend to stay put while he rushes to avert disaster. But is Terry truly as desperate as he sounds, or has Julian been playing into his hands all along?

http://rapidshare.com/files/268435394/BeStDivX-ATHallDvD.part1.rar
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Live Animals

Live Animals
A ruthless entrepreneur targets young victims for his macabre business. Using an isolated horse barn, he sells his captives to the highest bidder. Five friends on a vacation at a lake house are brutally kidnapped and find themselves prisoners, awaiting the auction block. Rather than succumb to a soulless slave's existence they chance death for freedom only to discover this twisted underworld reaches further than they imagine.

http://rapidshare.com/files/268891386/Live.Animals.DVDSCR.XviD-MoH.part1.rar
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Mr-R-T

X-Men Origins Wolverine

X-Men Origins Wolverine
Hugh Jackman reprises the role that made him a superstar - as the fierce fighting machine who possesses amazing healing powers, retractable claws and a primal fury. Leading up to the events of "X-Men," "X-Men Origins: Wolverine" tells the story of Wolverine's epically violent and romantic past, his complex relationship with Victor Creed, and the ominous Weapon X program. Along the way, Wolverine encounters many mutants, both familiar and new, including surprise appearances by several legends of the X-Men universe whose appearances in the film series have long been anticipated.

http://rapidshare.com/files/265492677/X-Men_Origins_Wolverine__2009_DvD_Rip.part1.rar
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http://rapidshare.com/files/265498362/X-Men_Origins_Wolverine__2009_DvD_Rip.part7.rar

Friday, July 31, 2009

Night At The Museum 2

Night At The Museum 2
Night at the Museum 2 is plugging an odd gap for family entertainment in the early summer film schedule. Outside the excellent-but-weird Coraline (still on release) and not forgetting The Jonas Brothers 3D Concert Experience (out next week – my eyes already hurt) there’s no major release targeted at children until Ice Age 3 opens on July 1.

This puts a reviewer in a bind. I can only recommend Ben Stiller’s comedy sequel in the way I might a burnt sausage when there’s nothing else to eat: it’s not terribly appetising, but it’ll have to do. After all, the notion of waxwork exhibits coming to life and waging war on each other isn’t such a bad recipe for undemanding, sugar-rush escapism, and there’s certainly enough boisterous action to keep the kids happy. Also in the plus column, we get some frisky business with a puce-coloured Leviathan squid (surprisingly friendly, when you get to know it) and a pair of Capuchin monkeys who trade subtitled insults and enjoy happy-slapping Stiller. No problems there.

The movie is only a let-down when you compare its nimbler predecessor – hardly an immortal classic, but an unpretentious romp which made much better use of Stiller’s seething incredulity. In case you’ve forgotten, he played Larry Daley, a newly-recruited security guard at New York’s Museum of Natural History. Late at night, everything came to life, and watching this furious, disappointed man get chased by a re-animated T-Rex skeleton was giddy fun, not just thanks to the state-of-the-art computer effects.

It’s somehow less fun, during this film’s needlessly elaborate set-up, watching Larry pine for his previous job (he’s now a super-successful entrepreneur) and follow his waxy old friends to the Smithsonian Institution, where they are to be stashed in an underground vault and may never see the light of day again. Robin Williams’s sad-faced Teddy Roosevelt explains the situation: without the crucial Egyptian tablet that gives them life, it’s curtains. Down in the basement, a lisping Pharaoh (Hank Azaria) has his own claim on this impressively tacky gold-embossed artifact and announces a routine evil takeover. His batty accent – one of the film’s more striking bits of eccentricity – is pitched somewhere between Quentin Crisp goes bananas and a Spanish gigolo doing a Jeremy Irons impression.

Via a contretemps with a jobsworth security guard, played in the film’s one genuinely hilarious cameo by Superbad’s Jonah Hill, Larry must come to the rescue, which means ducking and diving beneath every effect and costumed baddie at director Shawn Levy’s disposal. There’s time for an engaging, comparatively highbrow sequence in a chamber of living paintings and sculptures, which has Jeff Koon’s red balloon dog prancing about, a writhing Pollock, and a Roy Lichtenstein winking at us. The idea isn’t that original – I last remember seeing it in Joe Dante’s Looney Tunes: Back in Action– but it pays off with a full-scale trip inside Robert Doisneau’s most famous photograph. We get a neat black-and-white recreation of Paris boulevard life in 1950, with those eternal kissers briefly pulled apart by Stiller and pals: a nice touch.

Still, as this hectic, mechanical, more-is-less enterprise wore on, I began to feel very sorry for Owen Wilson, reprising his role as a thimble-sized Lilliputian cowboy called Jedediah. He spends the first half of the movie trapped in a storage crate, and the second half stuck in the bottom of a gradually filling hourglass enduring Azaria’s taunts. He has absolutely no chance to act or react amusingly, and neither, really, does Stiller, dutifully tethered to the chaos this time when he was better off being randomly terrorised by minuscule Indians. As for Amy Adams, joining the gang as feisty Transatlantic pilot Amelia Earhart, she remains a welcome presence in any film, and looks absolutely smashing in her tight trousers, so it’s a pity the screenwriters make her comic gifts, too, count for so little.

Having to deliver the word 'ace' at the end of every line was never going to make this her most inspired gig, but then she, Stiller, Wilson, and anyone who wants a glimmer of actual style from their family entertainment, deserve quite a lot better than this.

http://rapidshare.com/files/259273560/NoiR-VATMuseum2R5.part1.rar
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Ice Age 3 Dawn of the Dinosaurs

Ice Age 3 Dawn of the Dinosaurs (2009)
The sub-zero heroes from the worldwide blockbusters "Ice Age" and "Ice Age: The Meltdown" are back on an incredible adventure for the ages. Scrat is still trying to nab the ever-elusive nut (while, maybe, finding true love); Manny and Ellie await the birth of their mini-mammoth, Sid the sloth creates his own makeshift family by hijacking some dinosaur eggs; and Diego the saber-toothed tiger wonders if he's growing too "soft" hanging with his pals. On a mission to rescue the hapless Sid, the gang ventures into a mysterious underground world, where they have some close encounters with dinosaurs, battle flora fauna run amuck--and meet a relentless, one-eyed, dino-hunting weasel named Buck.

http://rapidshare.com/files/261478136/Ice.Age.3.Dawn.Of.The.Dinosuars.TS.XVID.V2-STG_wCruiser.Com.part1.rar
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http://rapidshare.com/files/261474155/Ice.Age.3.Dawn.Of.The.Dinosuars.TS.XVID.V2-STG_wCruiser.Com.part4.rar

Harry Potter and the Half-Blood Prince

Harry Potter and the Half-Blood Prince
IN 2002, Wim van Hanegem, assistant coach of the Dutch national soccer team, was asked who he was going to vote for in the upcoming general election. Van Hanegem replied that he had little interest in politics, but his children liked Harry Potter, and the Christian Democrats leader Jan Peter Balkenende looked like Harry Potter. Therefore, his vote would be going to them.
A few weeks later, Balkenende became Prime Minister of the Netherlands, a position he has held ever since. Harry Potter, meanwhile, has continued his world domination. Seven books and six films later, JK Rowling’s creation is more popular than ever.
It was, then, with a certain amount of trepidation that your correspondent made his way to ‘Harry Potter and the Half-Blood Prince’. You see (whisper it): I had never seen a Harry Potter movie in its entirety before.
Don’t get me wrong – it’s not that I had given the previous five a go and felt the need to walk out. It’s just that the pictures have become staples of Christmas TV schedules, when cake, presents and soccer tend to get in the way. Glimpses here and there, yes; a rough idea of who’s who, check. But a credits-to-credits few hours spent in the company of the boy in the specs, nope. I was, to all intents and purposes, a novice.
One glance at the packed theatre, and the cries of ‘Ha-rry! Ha-rry!’ that greeted lights down, suggested my ignorance put me in a tiny minority. This was a long-awaited event for a great many people.
The opening is spectacular – a group of Death-eaters (great name, that) swoop down on London and a bridge topples over. A house is put back together with a style not seen since Mary Poppins was in her prime. The effects, the set and the look are all first class, and it seems anyone who’s anyone in British cinema is along for the ride. Alan Rickman is the pick of the bunch as the sinister Snape, while Michael Gambon (who stepped into Richard Harris’s shoes to play Dumbledore) sports the longest beard seen by a mass audience since ZZ Top were packing them out.
There’s some decent humour, some of it provided by Louth’s Evanna Lynch – who plays Luna Lovegood – but there’s also a real darkness to much of the story. A clever flashback device makes an appearance, and there are two memorable scenes involving quidditch (airborne hockey, to this untrained eye). There is also, not unsurprisingly, a bit of magic. But not as much as you might expect.
And this is my main gripe with ‘Harry Potter and the Half-Blood Prince’ – considering it’s about a magician, a lot of the narrative is taken up with issues you can see examined in any teen drama. We have hormones on parade and love triangles to beat the band – nothing wrong with that, but isn’t that’s what we have ‘Home and Away’ for?
A few of the all-star cast phone in their performances, and of the principals, only Rupert Grint (who plays Ron Weasley) really shines. The flick left at least one newcomer to the franchise cold. “That was my first and last Harry Potter film,” he announced to all and sundry on the way out.
That’s not the case for me. I was sufficiently impressed to look forward to Harry’s two remaining outings on the silver screen (the final book is being cut in half for celluloid purposes). I might even catch up on the others in the meantime. How long is it to Christmas again?

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matrix

matrix
An imaginative hybrid of action, kung fu, and science fiction, THE MATRIX is a hyperkinetic, mind-bending, and visionary spectacle. Keanu Reeves stars as Neo, a disaffected computer hacker seeking the answer to the question, "What is the Matrix?" His search leads him to the elusive Morpheus (Laurence Fishburne), who begins to enlighten Neo about the illusions of his so-called reality. In accepting the answer Morpheus provides, Neo is hurled into a futuristic world where old realities are shattered, and he must fight for his life, and the future of humanity, against a dangerous group of inhuman government agents.
With THE MATRIX, the Wachowskis have established themselves as innovative filmmakers who push the boundaries of live-action films. Like the groundbreaking STAR WARS, THE MATRIX (also the first film of a trilogy) showcases a unique visual style, one the Wachowskis achieved through an array of techniques and digital effects, some never before seen in mainstream Hollywood films. Although computer morphing technology had been used before in films such as THE ABYSS and TERMINATOR 2, the Wachowskis were the first to use "bullet time," a time-bending digital effect that utilizes both computer-generated imagery and still photography. The film itself is a complex story that aspires to mythology, focusing on a computer hacker named Neo (Keanu Reeves) who searches for the truth behind the mysterious force known as the Matrix. He finds his answer with a group of strangers led by the charismatic Morpheus (Laurence Fishburne). What they encounter in confronting that truth makes for a lightning-paced, eye-popping thrill ride of a movie. Packed with stunning fight scenes (choreographed by accomplished Hong Kong director Yuen Wo-Ping), astonishing visual effects, quotable lines, and a terrific supporting cast (led by Carrie-Anne Moss, in her first major Hollywood film), THE MATRIX is a bold triumph that raises the bar for all science fiction films.

Theatrical release date: April 2, 1999. THE MATRIX won three Academy Awards: Achievement in Film Editing, Sound, and Visual Effects (beating out STAR WARS EPISODE 1: THE PHANTOM MENACE). In each category, the winners quoted a line from the film. The Wachowski brothers got their start at Marvel Comics, where they wrote dialogue for Clive Barker's HELLRAISER. The official website, www.whatisthematrix.com, features a revolving showcase of comic book writers. The actors initially thought combat training would take a few weeks. They eventually trained for more than five months (October 1997-March 1998), primarily because the actors and the Wachowskis wanted to limit the use of stunt doubles in the picture; the directors wanted the audience to see that the actual actors were performing the stunts. Each actor had their own kung fu master on the set. Neo is an anagram for "One." The Wachowskis named Neo’s alter ego Thomas, for the biblical Doubting Thomas. SIMULACRA AND SIMULATION, Jean Baudrillard’s theoretical text concerning culture, reality, and simulation, is the title of the book Neo uses to keep his contraband. Carrie-Anne Moss sprained her ankle during the filming of the federal lobby scene but told no one at the time, even though she was unable to walk the next day. Moss appeared in the 1993 television show MATRIX, about a hit man working for the underworld. A musical theater piece by the Live Bait Theater group in Chicago (the Wachowski brothers’ hometown) called NEO: A MATRIX MUSICAL ran in May 2000. Producer Joel Silver called THE MATRIX "the first film of the new millennium." Talking about the making of the film, Fishburne compared the brothers Wachowski to the Brothers Grimm in their ability to tell fairy tales. Weapons expert Rock Galotti taught the cast how to realistically hold and shoot all the weapons in the film.

http://rapidshare.com/files/250871047/The.Matrix.999.m-hd-major.part1.rar
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Land Of The Lost

Land Of The Lost
Will Ferrell and Danny McBride can find the dumb fun in anything. Too bad that Land of the Lost is so much less than anything. It remolds a tacky 1970s TV series about humans in a cave-man time warp into a bloated theme park of a movie that features Sleestak sex, a dino-piss shower, bowel obstruction and the gayest of Chorus Line tunes ("God, I hope I get it"). McBride's survivalist, Will Stanton, does weird things with fireworks. And Ferrell, as scientist Rick Marshall, reaches his hand down his shorts for a tug when things get boring. Kids, don't try this at the multiplex. Director Brad Silberling, infamous for Casper and Lemony Snicket, repeats gags, like the primate (Jorma Taccone) grabbing the boobs of Rick's British research assistant, Holly (Anna Friel), with laugh-killing frequency. You've been warned.

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The Proposal

The Proposal
Margaret Tate (Sandra Bullock) is the executive editor-in-chief of a book publishing company, Colden Books. All of her workers, including her assistant Andrew Paxton (Ryan Reynolds), hate her, and she fires a senior editor, Bob Spaulding (Aasif Mandvi) because he is unable to get an author named Frank be interviewed by Oprah. After learning she is being deported to Canada, she forces Andrew to marry her, as his future is tied to hers. When the government investigates, Mr. Gilbertson (Denis O'Hare) informs them that they will undergo rigorous testing to prove that the marriage is not fraudulent. Andrew grudgingly accepts, under the condition that he is promoted to the position of editor and his manuscript be published. He also forces Margaret to propose nicely to him on her knees in the streets of New York, and to allow him to tell his parents they are getting married.

The two are forced to spend the weekend with his parents in Sitka, Alaska in order to sell the lie, where they will be attending the 90th birthday party of Andrew's grandmother (Gammy) (Betty White). Margaret is very unreceptive of Alaska, and is furthermore shocked to learn that Andrew's family owns most of the business in Sitka. They attend a surprise party for them, where Andrew catches up with his ex-girlfriend, Gertrude "Gert" (Malin Akerman). After he is humiliated by his father, Joe Paxton (Craig T. Nelson), Andrew announces that he and Margaret are getting married. They are forced to kiss, and do so passionately, showing the first signs of respect for one another. Andrew's parents then show them their room, and Gammy gives them a special blanket (called baby-maker, which they avoid). Andrew and Margaret sleep separately - Andrew on the floor and Margaret in the bed.

The next morning, Margaret wakes to hear her phone ringing. After waking Andrew with her loud conversation, she goes outside; the family dog, Kevin, follows her and is swooped up by an eagle. She gets Kevin back, but the eagle instead takes her phone. Andrew, having seen the commotion, informs her that she, his mother Grace and Gammy are going shopping; the shopping actually proves to be a male strip show by Ramone. Margaret talks with Gert about Andrew, who tells her that they dated through college, and when Andrew asked her to elope with him, she didn't want to go from her home, and said no. Margaret comes home and takes a shower, but finds no towels; when she goes to get one, she is stopped by Kevin. Meanwhile, Andrew confronts his father after he apologizes and asks him to take up the family business, telling him he's happy in New York. He goes to the balcony of their room, stripping naked. Margaret, also naked, goes for a towel after distracting Kevin, only to run into Andrew. He sees her tattoo before going to take a shower. That night, Andrew and Margaret tell each other a little about their past, and find out they like the same band.

Next morning, Joe and Grace knock at the door with breakfast. Andrew and Margaret hurriedly get into bed, and the family suggest they could marry the same weekend, and they reluctantly accept. Andrew is stressed because the marriage is actually a sham, and Margaret tries to comfort him, finding herself genuinely caring for him. To sort out her emotions, she goes for a bike ride into the woods, where she finds Gammy "giving thanks". Gammy invites her to join her, and they end up dancing to "Get Low", while Andrew watches. Andrew takes her into Sitka, and she tries to contact New York. However, Gammy and Grace arrive and take Margaret to be fitted into a dress that Gammy's great grandmother made, and a necklace that's been in the Paxton family for generations. Deciding that she can't do this to Andrew, she hijacks a boat and tries to explain, but she falls off after he takes the steering wheel. Andrew goes back for her, and they return to his house. Once there, they find that Joe has contacted Mr. Gilbertson, who asks them again to admit the sham. Andrew vehemently denies.

During the wedding ceremony, Margaret decides she cannot do this to Andrew and confesses the business arrangement in front of everyone- including Mr. Gilbertson, who tells her she has twenty four hours to get back to Canada, and thus goes back to New York to pack her things. Gammy fakes a heart attack. Upon doing so, however, Andrew shows up at the office and confesses his love for Margaret in front of the entire office staff, proposing marriage all over again. They go to Mr. Gilbertson once more to get engaged "for real".

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Madea Goes To Jail

Madea Goes To Jail
This is Madea, also known as Mabel Simmons, losing her cool (for neither the first time nor the last) in “Tyler Perry’s Madea Goes to Jail.” The only possible response to this question — and I offer it with all respect, not wishing to ruffle Ms. Simmons’s formidable feathers — is: If you can’t stand the melodrama, then get out of the Tyler Perry movie.

Which is unlikely, since Madea is of course played by Mr. Perry, who is the writer, the director and a producer (he also plays two other roles). His formula is by now well established, in movies like “Madea’s Family Reunion” and “The Family That Preys,” even if his filmmaking technique remains noticeably unpolished. His stories swerve, sometimes as violently as Madea’s 1978 Cadillac, from low comedy to high feeling, from tears to belly laughs. Their messages are sometimes muddled but always emphatic, an expansive collection of homilies preaching compassion, self-reliance, forgiveness and revenge.

But “Madea Goes to Jail” differs from its immediate predecessors in giving the spotlight back to its title character. In “Meet the Browns” she had little more than a cameo, but it was on her large frame (which is to say his own, augmented by body padding and a gray wig) that Mr. Perry built his entertainment empire. (There are plays, books, a studio in Atlanta and two sitcoms on TBS.) And her function is to cut through the piety and sentimentality without subverting it. She won’t set foot in church, abuses family members who do and refuses to be cured by Dr. Phil, but she is not so much cynical or mocking as righteously, raucously honest.

And the best parts of “Madea Goes to Jail” — in which the law catches up with this uncompromising, unruly matriarch — are her muttering, motormouthed harangues. The rest of it is a fairly clumsy tale of sin and redemption, involving a young assistant district attorney (Derek Luke) whose impending marriage to a colleague (Ion Overman) is disrupted when he runs across a childhood friend (the former “Cosby Show” moppet Keshia Knight Pulliam) fallen into a life of prostitution and addiction. Mr. Luke and Viola Davis, who plays a minister, are superb actors (Ms. Pulliam is pretty good, too), and at times their intensity is almost too much for the movie, making the transitions from raw emotion to silly humor all the more jarring.

There is something both satisfying and frustrating about “Madea Goes to Jail,” which opened Friday without advance press screenings. Mr. Perry dutifully gives his audience what it wants, but you can’t help feeling that he might also have more to offer: more coherent narratives, smoother direction, better movies. Still, as long as he has Madea — a force of nature and now something of a pop-culture institution — he might not need any of that.

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I Love You, Man

I Love You, Man
Here's the thing about comedies: Even when the script is freighted with formula, the right actors can keep it afloat, even airborne. That's where I Love You, Man really lucks out. In a down market for giggles (Miss March? Please!), Paul Rudd and Jason Segel are howlingly funny. They have skills. They can get laughs without the sitcom pimping. It's a rare gift, staying hilarious and recognizably human. Their presence and ace comic timing kick the movie up a notch.

Director John Hamburg (Along Came Polly), who teamed on the script with Seinfeld writer Larry Levin, hangs the plot on a flimsy premise: A dude with no dude friends needs a dude to be best man at his wedding. Never mind that the needy dude, tightly wound L.A. realtor Peter Klaven (Rudd), has a brother, Robbie (Andy Samberg), who could easily do the job. That would leave no reason to get Peter out on man dates. That's right, Peter's fiancée, Zooey (a sparky Rashida Jones) — whose girl network is so in the loop they know precisely the first time Peter went oral on Zooey ("Lock that tongue down, girl") — encourages the poor schnook to go out and find a best buddy. After several disastrous tries, including a gay close encounter, the search ends with Sydney Fife (Segel). Sydney is Peter's polar opposite, a likable slob who holes up in a Venice Beach man cave stuffed with porn and video games. Sydney has a comfort level inside his own skin that Peter never dreamed possible. Without ever infringing on Brokeback territory, Sydney is man enough to make Zooey jealous. Complications follow, as if you thought they wouldn't.

And that's it. That's all. It's the variations that Rudd and Segel spin on this theme that make the movie hugely enjoyable. There's no one better than Rudd at putting an affable face on awkwardness. Volleying nicknames with Sydney — Dude Von Dudenstein, Totes Magotes — it's always Peter who drops the ball. Cool is always just out of Peter's reach, and Rudd makes you feel for him. It's a passion for Rush (the band puts in a surprise appearance) that bonds Peter and Sydney. They rock out in Sydney's converted garage. Sydney rips open his shirt in joy. Peter undoes a button. Segel has a ball playing the other side of the inhibited musician he wrote for himself in the underrated Forgetting Sarah Marshall. He also lets you in on the loneliness that's eating at this free spirit.

Credit Hamburg for letting the supporting cast get in its licks. Jaime Pressly is terrific as Zooey's BFF. Her battles with Jon Favreau, excellent as her blowhard husband, have genuine comic bite. The scene-stealer is Samberg as Peter's gay brother, Robbie, the most well-adjusted character in the movie. Their dad (J.K. Simmons) calls Robbie his best friend, leaving Peter to wonder what he's been missing. Of course, he finds it in Sydney. The movie goes soft in its final stages, but Rudd and Segel keep it real. "Sweet, sweet hangin'," says Peter of knowing Sydney. The same goes for the movie.

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The Answer Man

The Answer Man
I’ll give this to debut writer/director John Hindman: He knows how to rip off a plotline, damn near whole-cloth, and still make a moderately entertaining romantic dramedy. The Answer Man is as close to James L. Brooks’ As Good As It Gets as you can get without having to pay royalties. But as far as recycling plotlines goes, you could do a lot worse. The Answer Man, in fact, is an endearing indie film that floats through its formulaic storyline on the talents of its charming cast.

The always likable Jeff Daniels stars as Arlen Faber, a reclusive, misanthropic author of a best-selling book, Me and God — about a religious Q&A that Faber apparently had with the Big Man himself — that’s spun off a series of copycat books and made Faber a rich bastard. It’s been 20 years since the book was published, and since then, Faber has given no interviews, made no appearances, or even offered a author photograph in his book, which allows Faber to live unknown in whatever idyllic small-town The Answer Man is set in (actually, it’s set in Philly, so credit the cinematographer for making it look like as idyllic as it does). Faber is a lonely, crotchety son of a bitch, who curses, rants, and mistreats everyone he meets, which is mostly no one except for the delivery man (Tony Hale) who brings him packages and annoys the ever-living shit out of him.

The action gets going when Faber throws out his back and is forced to crawl (literally) through town until he finds a chiropractor, Elizabeth (Lauren Graham) (who earned her way through chiropractor school by waitressing, which was Helen Hunt’s occupation in AGAIG ironically enough). Elizabeth is a single mother with a precocious kid who is basically the only one that can tolerate Arlen Faber (she doesn’t know who he is when he comes into the office). Faber, meanwhile, finds that he’s a better man when he’s with Elizabeth, and they start a relationship, which is often derailed by the fact that Faber is a fuckstick when he’s around anyone but Elizabeth and her son.

Meanwhile, Faber also forms an unlikely relationship with Kris (Lou Taylor Pucci), who is neither an artist nor a homosexual, but he does own a struggling bookstore and is trying to recover from his alcoholism. After Faber is denied from leaving stacks of new-age books that offer him no answers in that bookstore, Kris figures out who he is and ends up making a “Faustian bargain”: He will accept three books for every answer that Faber provides him in furtherance of recovery. Awww, isn’t that twee?!

Expectedly, Faber — through his relationship with Elizabeth and her son, as well as Kris — begins to come out of his reclusive state, find a little humanity within himself, and become a better person, though he does have to come to the realization that he doesn’t have all the answers. Blah blah blah, “You make me want to be a better man,” blah blah.

It’s a fairly pat storyline, one with no surprises. But it manages, nevertheless, to be a cute little indie flick. Lauren Graham is a slightly less quirky version of her “Gilmore Girls” character, and Daniels is pretty solid as the Melvin Udall character. The radiant Olivia Thirlby plays the receptionist/babysitter, and Kat Dennings rounds out the cast as Kris’ assistant at the bookstore.

It’s an endearing, at time touching, little film that combines romance with some grounded spirituality (it’s never gag-inducing). It has a few nice Capra-esque flourishes, and Hindman directs much better than he writes. It’s also much better than most studio romantic comedies, so — if given the choice between this and Katherine Heigl’s The Ugly Truth — The Answer Man is certainly going to be a better date-night choice.

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